| |
Common
themes of Shabads placed under Raags of Guru Granth Sahib Ji. |
| |
|
| |
| 1 |
Soohi
|
Being away from home. The soul being away from the House of Lord and
the joy of meeting the true ‘husband |
| 2 |
Bilaaval
|
beautification
of soul, happiness. |
| 3 |
Gaund
|
Separation,
union, surprise. |
| 4 |
Sri
|
Maya and detachment |
| 5 |
Maajh
|
yearning to
merge with Lord, giving up of negative values. |
| 6 |
Gauri
|
Principles,
serious, thoughtfulness, composed |
| 7 |
Aasa
|
Hope |
| 8 |
Gujri
|
Prayer (Pooja) |
| 9 |
Devgandhari
|
Merging with
spouse, self - realization |
| 10 |
Bihaagra
|
Yearning due
to separation of soul and happiness due to meeting the Lord. |
| 11 |
Sorath
|
Merits of God |
| 12 |
Dhanasari
|
Mixed theme |
| 13 |
Jaitsree
|
Stability |
| 14 |
Todi
|
Maya, separation
|
| 15 |
Bairagi
|
motivation
to sing praises of Lord |
| 16 |
Tilang
|
Sadness, beautification.
|
| 17 |
Raamkali
|
To give up
the life of a wandering Jogi. |
| 18 |
Nat
Narayan |
Joy of meeting
the Lord |
| 19 |
Maali
Gaura |
Happiness |
| 20 |
Maaru
|
Bravery, profound
philosophy. |
| 21 |
Tukhari
|
Separation
and union with Lord |
| 22 |
Kedara
|
Love |
| 23 |
Bhairav
|
Man’s
state of hell |
| 24 |
Basant
|
Happiness |
| 25 |
Sarang
|
Thirst to meet
God |
| 26 |
Malaar
|
State of separated
and united soul |
| 27 |
Jaijawanti
|
Vairaag (Detachment)
|
| 28 |
Kalyaan
|
Bhakti (Prayer)
Ras |
| 29 |
Vadhans
|
Vairaag (Detachment)
|
| 30 |
Prabhati |
Bhakti (Prayer)
|
| 31 |
Kaanra |
Bhakti (Prayer)
|
|
| |
When the broad
themes of Shabads are overlaid with feelings conveyed by these raags,
there emerges a reason behind grouping of Shabads under a broad classification
of thirty-one raags. It’s clear that the Gurus used raags to increase
the delivery power of shabad to our mind by invoking complementary feelings
in our hearts through usage of the prescribed raags.
|
| |
Another interesting
aspect of raag and Gurbani classification is understood by studying daily
time-cycles. A raag has a preferred timing associated with it. There are
some morning raags, evening raags, afternoon raags, etc. The timings of
raags also complement the changes in human moods and heart during a twenty-four
hour time cycle.
|
| |
Upon classification
of thirty-one main raags used in Guru Granth Sahib based on the prescribed
raag timings, we find that no raags fall under the time zone 12 AM - 3
AM. It is interesting that the Gurus chose not to use any raag with a
time cycle of 12AM – 3 AM, because one would normally
sleep between 10PM - 4AM.
|
| |
| |
6
AM - 9AM: |
Bhairaagi,
Devgandhari |
| |
9 AM
- 12 PM: |
Saarang, Suhi,
Bilaaval, Gujri, Gond, Todi |
| |
12 PM
- 3 PM: |
Vadhans, Maru,
Dhanasari |
| |
3 PM
- 6 PM: |
Maanjh, Gauri,
Tilang, Tukhari |
| |
6 PM
- 9 PM: |
Sri, Basant,
Maali Gaura, Jaitsree, Kedara, Kalyaan |
| |
9 PM
- 12 AM: |
Bihaagra, Nat
Narayan, Sorath, Malaar, Kaanra, Jaijawanti |
| |
12 AM
- 3 AM: |
No Raags from
Guru Granth Sahib |
| |
3AM
- 6AM: |
Aasa, Raamkali,
Bhairav, Parbhati |
|
| |
|
| |
The Gurus have also
indicated the beats associated with the poetry of every Shabad. In Guru
Granth Sahib seventeen ghars (taal - beat) are mentioned. These seventeen
ghars denote the following beats: |
| |
|
| |
| Ghar 1 |
DADRA
TAAL |
(There
are 1 Taalis and the Beat has 6 Maatraas) |
| Ghar 2 |
RUPAK
TAAL |
There
are 2 Taalis and the Beat has 7 Maatraas |
| Ghar 3 |
TEEN
TAAL |
There
3 Taalis and the Beat has 16 Maatraas |
| Ghar 4 |
CHAAR
TAAL |
There
are 4 Taalis and the Beat has 12 Maatraas |
| Ghar 5 |
PUNJ
TAAL |
There
are 5 Taalis and the Beat has 15 Maatraas |
| Ghar 6 |
KHUT
TAAL |
There
are 6 Taalis and the Beat has 18 Maatraas |
| Ghar 7 |
MUT
TAAL |
There
are 7 Taalis and the Beat has 21 Maatraas |
| Ghar 8 |
ASHT
MANGAL TAAL |
There
are 8 Taalis and the Beat has 22 Maatraas |
| Ghar 9 |
MOHINI
TAAL |
There
are 9 Taalis and the Beat has 23 Maatraas |
| Ghar 10 |
BRAHAM
TAAL |
There
are 10 Taalis and the Beat has 28 Maatraas |
| Ghar 11 |
RUDRA
TAAL |
There
are 11 Taalis and the Beat has 32 Maatraas |
| Ghar 12 |
VISHNU
TAAL |
There
are 12 Taalis and the Beat has 36 Maatraas |
| Ghar 13 |
MUCHKUND TAAL |
There
are 13 Taalis and the Beat has 34 Maatraas |
| Ghar 14 |
MAHASHANI TAAL |
There
are 14 Taalis and the Beat has 42 Maatraas |
| Ghar 15 |
MISHR BARAN TAAL |
There
are 15 Taalis and the Beat has 47 Maatraas |
| Ghar 16 |
KUL TAAL |
There
are 16 Taalis and the Beat has 42 Maatraas |
| Ghar 17 |
CHRCHARI TAAL |
There
are 17 Taalis and the Beat has 40 Maatraas |
|
| |
|